25.11 // h.21.00 // Lungomare / Via Rafenstein, Bolzano BZ
ANALOGICA SELECTION was created to show selected film works collected by an international open call that attracts dozens of productions every year. After the festival, the Selection Program travels on an international screening tour until the following edition of the festival.
ANALOGICA SELECTION 2016 // part 1
program / 75'
One Document for Hope / Margaret Rorison / 07:40 / 2016 / 16mm / USA
The sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015.
Documentation: Margaret Rorison // Thanks to Karl Ekdahl for providing the BCP scanner recordings. Baltimore, Maryland 2015
Margaret Rorison is an artist and curator from Baltimore, Maryland. Her current work often develops from solitary walks through rural and urban landscapes, using in-camera editing techniques and field recordings to create short 16mm films and live performances accompanying other sound artists. Her work has shown at various festivals and venues in Europe and North America. Rorison is the co-founder and director of the Baltimore based experimental film and workshop series, Sight Unseen.
Les Châssis de Lourdes / Rhayne Vermette / 18' / 2016 / Found Footage / Canada
“…while many architects through their time have sought a ‘true house’ or a ‘true architecture’, their truth was something of the past and not so true in the present […] here architecture is a child of the sea, arose from its substance…” — Gio Ponti
Following a departure from architectural academia, Rhayne Vermette (b. 1982, Notre Dame de Lourdes, MB), structured her practice within constructing images.
Self-taught, and under the influence of post-war Italian architects, Rhayne is rooted in notions of decadence and the indeterminate. Favouring forms of moving image, her 16mm experimental films have screened across the globe including the Architecture Biennale, Images Film Festival, E.M.A.F, etc. etc.
San Guerrero / Jeff Zorrilla / 3' / Super8 / 2015 / Argentina
A short Documentary about an American ex-pat who lives in Buenos Aires and works as a city tour guide during the day and a sexual tour guide during the night.
The film was first short on vision 3 negative super 8 and then refilmed we color reversal super 8 from my computer screen so that I can project it live. It is a first glimpse of my full-length feature called Monger.
Jeff Zorrilla was born in 1984 in the United States. He studied film at the University of Santa Cruz (California, USA), and the University of Copenhagen (Denmark). He currently lives and works in Buenos Aires, Argentina. He’s directed numerous short films in Super 8 which have gone on to play in festivals in Cannes, La Paz, Montevideo, Taipei, and New York.
On ira à Neuilly inch'allah / Anna Salzberg & Mehdi Ahoudig / 19' / 16mm / 2015 / France
We hear the first strike of young workers from Velib, the Parisian rental bike company. We hear them learning how to drive and organize a demonstration, with the typical language of African working-class areas. We see Paris in black and white, in early morning with only few people on the street, in a long and slow, never ending travelling from the outskirts to Velib headquarters in Neuilly.
The end. A mexican movie / Annalisa D. Quagliata / 2' 33'' / 16mm / 2016 / Mexico
“THE END A MEXICAN MOVIE” is a short film that reappropriates and subverts the romantic story of "Two monks" (1934) focusing on the female protagonist that is murdered. The constant masculine aggression and her bold defense resonate with the issues of violence and femicide still corroding Mexico and Latinamerica. Two stories in one: Men putting an end to thousands of women's lives and women fighting to put an end to that terrible history.
Annalisa D. Quagliata (b. Veracruz, Mexico 1990) is an artist and filmmaker whose films and installations focus on the human body and portraiture. In her work the body is explored as a mirror that reflects different states of being; spanning from the intimate and psychic to the social and political. She is a graduate from Massachusetts College of Art and Design where she majored in Film/Video and Studio for Interrelated Media. Annalisa currently resides and works in Mexico City.
NYC 1991 / Paulo Abreu / 24:34 / super8 / 2016 / Portugal
Super 8 footage shot in New York City in 1991, edited 25 years later, with " Dirty Windows", by Lee Ranaldo as soundtrack.
Lee Ranaldo's music as the soundscape to New York city's noise. His words invite the audience to free associate and create metaphors around streets images.
Paulo Abreu was born in Lisbon 1964. Director, cinematographer, Super 8 experimental films.
ANALOGICA SELECTION was created to show selected film works collected by an international open call that attracts dozens of productions every year. After the festival, the Selection Program travels on an international screening tour until the following edition of the festival.
ANALOGICA SELECTION 2016 // part 1
program / 75'
One Document for Hope / Margaret Rorison / 07:40 / 2016 / 16mm / USA
The sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015.
Documentation: Margaret Rorison // Thanks to Karl Ekdahl for providing the BCP scanner recordings. Baltimore, Maryland 2015
Margaret Rorison is an artist and curator from Baltimore, Maryland. Her current work often develops from solitary walks through rural and urban landscapes, using in-camera editing techniques and field recordings to create short 16mm films and live performances accompanying other sound artists. Her work has shown at various festivals and venues in Europe and North America. Rorison is the co-founder and director of the Baltimore based experimental film and workshop series, Sight Unseen.
Les Châssis de Lourdes / Rhayne Vermette / 18' / 2016 / Found Footage / Canada
“…while many architects through their time have sought a ‘true house’ or a ‘true architecture’, their truth was something of the past and not so true in the present […] here architecture is a child of the sea, arose from its substance…” — Gio Ponti
Following a departure from architectural academia, Rhayne Vermette (b. 1982, Notre Dame de Lourdes, MB), structured her practice within constructing images.
Self-taught, and under the influence of post-war Italian architects, Rhayne is rooted in notions of decadence and the indeterminate. Favouring forms of moving image, her 16mm experimental films have screened across the globe including the Architecture Biennale, Images Film Festival, E.M.A.F, etc. etc.
San Guerrero / Jeff Zorrilla / 3' / Super8 / 2015 / Argentina
A short Documentary about an American ex-pat who lives in Buenos Aires and works as a city tour guide during the day and a sexual tour guide during the night.
The film was first short on vision 3 negative super 8 and then refilmed we color reversal super 8 from my computer screen so that I can project it live. It is a first glimpse of my full-length feature called Monger.
Jeff Zorrilla was born in 1984 in the United States. He studied film at the University of Santa Cruz (California, USA), and the University of Copenhagen (Denmark). He currently lives and works in Buenos Aires, Argentina. He’s directed numerous short films in Super 8 which have gone on to play in festivals in Cannes, La Paz, Montevideo, Taipei, and New York.
On ira à Neuilly inch'allah / Anna Salzberg & Mehdi Ahoudig / 19' / 16mm / 2015 / France
We hear the first strike of young workers from Velib, the Parisian rental bike company. We hear them learning how to drive and organize a demonstration, with the typical language of African working-class areas. We see Paris in black and white, in early morning with only few people on the street, in a long and slow, never ending travelling from the outskirts to Velib headquarters in Neuilly.
The end. A mexican movie / Annalisa D. Quagliata / 2' 33'' / 16mm / 2016 / Mexico
“THE END A MEXICAN MOVIE” is a short film that reappropriates and subverts the romantic story of "Two monks" (1934) focusing on the female protagonist that is murdered. The constant masculine aggression and her bold defense resonate with the issues of violence and femicide still corroding Mexico and Latinamerica. Two stories in one: Men putting an end to thousands of women's lives and women fighting to put an end to that terrible history.
Annalisa D. Quagliata (b. Veracruz, Mexico 1990) is an artist and filmmaker whose films and installations focus on the human body and portraiture. In her work the body is explored as a mirror that reflects different states of being; spanning from the intimate and psychic to the social and political. She is a graduate from Massachusetts College of Art and Design where she majored in Film/Video and Studio for Interrelated Media. Annalisa currently resides and works in Mexico City.
NYC 1991 / Paulo Abreu / 24:34 / super8 / 2016 / Portugal
Super 8 footage shot in New York City in 1991, edited 25 years later, with " Dirty Windows", by Lee Ranaldo as soundtrack.
Lee Ranaldo's music as the soundscape to New York city's noise. His words invite the audience to free associate and create metaphors around streets images.
Paulo Abreu was born in Lisbon 1964. Director, cinematographer, Super 8 experimental films.