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ANALOGICA SELECTION 15 /// STREAMING PROGRAM 15 > 20 DEC 2025 >>> Each day’s program becomes available at 8 AM CET and remains freely accessible on this website for 24 hours. |
The streaming selection presents a curated portion of the overall program. Online availability is determined individually by each filmmaker and distribution company, whose choices we fully respect. We thank all participating artists and partners—both those included in the streaming program and those featured exclusively in the in-person edition—for their contribution to this year’s selection. |
15 DECEMBER
ANALOGICA SELECTION 15 /// PR 1 /// 45min
ANALOGICA SELECTION 15 /// PR 1 /// 45min
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THE INSTABILITY OF CLOUDS
by Zazie Ray-Trapido 16mm / 2024 / USA / 15’ Two neighbors bond after a shared traumatic event, continuous home developments creep into nature's threshold, and a community celebrates freedom. The Instability of Clouds navigates a su burban ecosystem in decay and growth while traversing its spaces of comfort, spectacle, and disaster. Through observing and constructing facets within a suburban neighborhood in Southern California, connections between landscape, neighbors, and environment ruminate on the American Dream and its resonances. |
Zazie Ray-Trapido is a filmmaker based in Los Angeles. Her films expand on traditional documentary and narrative formats, engaging with analog film techniques, archives, and performance. Her work has been screened at festivals worldwide, including the New York Film Festival, International Film Festival Rotterdam, Viennale, RIDM, among others. She holds a BFA from Bard College and an MFA in Film/Video from the California Institute of the Arts.
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BUSES DON'T STOP HERE ANYMORE
by Penny McCann super8, 16mm / 2024 / Canada / 7’ 28’’ A Super 8 chronicle of the closure, abandonment, and demolition of the Greyhound bus station in Ottawa, Canada. Once an emotive epicenter for coming and going, the camera observes the building’s erasure. Optical printing translates the act of observation into a requiem for a building, once so present and vital, now a ghost of the past |
Since 2000, Canadian experimental filmmaker Penny McCann has been engaged in creating a body of experimental landscape films that form a sustained meditation on memory, place, and time.
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I THINK HE TOLD ME A STORY
by Harper Stone 16mm / 2025 / USA / 8’ He told me a story he thought happened. Now he says he doesn't know if it happened. He told me this story from his past and he told me it was always in his mind. And now it is not. Not since he told me this story. He is not sure where it went, but it is no longer in his mind and since it is no longer there he does not know if it was ever there, he says. |
Harper Stone is a filmmaker, photographer and bookmaker living and working in Milwaukee, Wisconsin.
His work deals with themes of memory and the passing of time; as an artist who experiences both aphantasia and sdam (severely deficient autobiographical memory) he engages in a life-long study of how image, video and text operate within an archive. Stone’s work is a visual form of acceptance: rather than a search for answers it is an endurance of questions. |
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FULL OUT
by Sarah Ballard 16mm / 2025 / USA / 14’ 25’’ In 19th century Paris at the Salpêtrière Hospital, patients were hypnotized on stage to reproduce the symptoms of hysteria for public audiences. Over a century later, high school cheerleaders are fainting en masse. Full Out is the inaugural work in a suite of films investigating the intricate threads between historical accounts of mass hysteria, the body's capacity for knowing, and the ways collective resonance can both fracture and heal. |
Sarah Ballard is a filmmaker currently based in Milwaukee, WI. Her work has been programmed at venues and film festivals such as Institute for Contemporary Arts London, Museum of Moving Image New York, Berwick Film and Media Arts Festival, Images Festival, Crossroads, Alchemy Film and Moving Image Festival, and Antimatter [Media Art].
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16 DEC. // PR 2
SERENE HUES by Rita Tse 16mm / 2024 / Canada / 4’ 24’’ RADIANCES by Evantias Chaudat super8 / 2024 / France / 4’ WHERE ARE THE WILD THINGS? by Benjamin Clement 16mm / 2023 / USA / 3’ 17’’ SUNSPOTS by Abinadi Meza 16mm / 2025 / Mexico / 5’ 44’’ |
17 DEC. // PR 3
REMIXING INDUSTRIAL PASTS by Chiara Ligi, Mauro Macella found footage / 2022 / Italy, Luxemburg / 21’ 40’’ DAYS OF WAITING. DAYS OF ARCHIVES. By Agustina Arrillaga Vodanovich found footage / 2025 / Croatia / 1’ 30’’ FRAGMENTS OF Director Elena Calvo Polo found footage / 2024 / Spain / 4’ 26’’ SUNNY 16 HELSINKI by Eve Le Fessant Coussonneau 16mm / 2024 / France / 6’ 57’’ |
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18 DEC. // PR 4
MARKING THE ENDS by Mireille Tawfik 16mm + HD / 2024 / Canada / 18’ 33’’ ENTER ASUNDER by Francesco Coppola 35mm / 2025 / UK / 4’ 23’’ INDEX 2 by Zac Tomé 16mm / 2025 / Australia / 5’ ENDINGS by Philip Hoffman, Isiah Medina 16mm / 2023 / Canada / 9’ CELLULAR RECONSTRUCTION by Derrick Schultz 16mm / 2022 / USA / 2’ |
19 DEC. // PR 5
KALEIDOSPROCKET by Tim Grabham FOUND FOOTAGE / 2025 / UK / 7’ 30’’ THE MIRAGE OF ULTRA-REALISTIC HANDS by Guillaume Vallée 16mm / 2024 / Canada / 14’ 7’’ TOWARD A FUNDAMENTAL THEORY OF PHYSICS by Victor Van Rossem 16mm / 2025 / Belgium / 12’ 48’’ PASSENGER by Patrick Connelly 16mm / 2024 / USA / 3’ WHEREVER STREET PIECE by Panu Johansson 16mm, found footage / 2024 / Finland / 8’ 49’’ |
20 DEC. // PR 6
RED EARTH BLACK EARTH by Agnès Perrais 16mm / 2024 / France / 7’ STEREO FRAMEWORK / ASYNCHROMY by Antoni Pinent 35mm, found footage / 2024 / USA / 20’ LE TEMPS DU MONDE FINI COMMENCE by Sophie Bouloux 16mm / 2025 / France / 2’ 57’’ |
ANALOGICA 15 ///
ideazione e curatela Vincenzo Mancuso / Analogica Selection 15 - preselection committee Maja Pilati, Luciano Stoffella, Derise Herst, Vincenzo Mancuso / Analogica Selection 15 a cura di Vincenzo Mancuso / produzione e traduzioni Eva Lageder / moderatrice Martine De Biasi / interviste Emanuele Vernillo, Vincenzo Mancuso / ufficio stampa Katharina Kolakowski, Valentina Cramerotti / assistente produzione e promozione Katharina Kolakowski / manifesto graphic design Laura Barretta / supporto tecnico e allestimento Daniel Mahlknecht / una produzione Analogica // ANALOGICA 15 è realizzato in collaborazione con Waag / Weigh Station / Fas - Film Association of South Tyrol / FotoForum / ZeLIG School for documentary // e sostenuto da Provincia Autonoma di Bolzano - Cultura Tedesca - Ufficio Film e Media / Comune di Bolzano / Fondazione Cassa di Risparmio / Istituto Polacco di Roma
ideazione e curatela Vincenzo Mancuso / Analogica Selection 15 - preselection committee Maja Pilati, Luciano Stoffella, Derise Herst, Vincenzo Mancuso / Analogica Selection 15 a cura di Vincenzo Mancuso / produzione e traduzioni Eva Lageder / moderatrice Martine De Biasi / interviste Emanuele Vernillo, Vincenzo Mancuso / ufficio stampa Katharina Kolakowski, Valentina Cramerotti / assistente produzione e promozione Katharina Kolakowski / manifesto graphic design Laura Barretta / supporto tecnico e allestimento Daniel Mahlknecht / una produzione Analogica // ANALOGICA 15 è realizzato in collaborazione con Waag / Weigh Station / Fas - Film Association of South Tyrol / FotoForum / ZeLIG School for documentary // e sostenuto da Provincia Autonoma di Bolzano - Cultura Tedesca - Ufficio Film e Media / Comune di Bolzano / Fondazione Cassa di Risparmio / Istituto Polacco di Roma
