ANALOGICA #9
4 > 8 December 2019
Bolzano / Bozen


ANALOGICA SELECTION 9

Jonas's loft by Joel Schlemowitz / 6' 24'' / USA / 2019 / 16mm

Scenes from the Periphery by Derek Taylor / 2' 50'' / 2019 / USA / super8

Unless You're Living It by Sarah Bliss / 8' 22'' / Canada – USA / 16mm

Sometimes All of Summertime by Linda Fenstermaker / 8' 34'' / USA / 2019 / 16mm

Scenes from a Transient Home Roger Horn / 13' 09'' / 2019 / South Africa

Algo está pasando acá by Antón Terni / 2' 49'' / Uruguay / 2019 / 16mm

Coda MCMLXXXV by Alex Faoro / 04:15 / USA / 2018 / super8 / found footage

Gibraltar Point (transformed) by Penny McCann / 6' 07'' / 2017/ Canada / 16mm

Landing by Sabina Maselli / 7' 33'' / Australia / 2019 / 16mm

Butterfly disaster by Caryn Cline / 6'50'' / 2019 / USA / 16mm

In the Autumn Before the Winter Comes Man's Last Mad Surge of Youth by Jon Behrens
2:51 / USA / 201? / 16mm

No Personal Checks by Gwendolyn Audrey Foster / 04':52'' / USA / 2018 / super8

It Matters What by Francisca Duran / 9'03'' / Canada / 201? / 16mm

Lucidity by Jeff Zorrilla / 08:13 / 2019 / Argentina /16mm

QR CODE / FILM [#2] by Antoni Pinent / 3' 30'' / 2018 / Italy / 16mm

Kites at the Kamogawa (for Jonas Mekas) by Michael Lyons / 3' 15'' / 2019 / japan / super8

Princesa morta do Jacuí by Marcela Ilha Bordin / 17' 21'' / Brasil / 2018 / 16mm

Recycled Realizations by Jon Behrens / 3:24 / USA / 201? / 35mm

Monte Carmelo by Eden Bastida Kullick / 2' 53'' / 2018 / Mexico, Argentina, Puerto Rico / 16mm

Inverno 1219 by Manuele Cecconello / 7' 20'' / Italy / 2019 / super8

A l'ombre du jasmin by Charbel KAMEL / 6':14'' / 2015 / Lebanon / super

Frazada by Eduardo Filippi / 4':53'' / España / 2018 / 16mm

Emulsion Connection by Hsu, TsenChu / 3' / 2018 / Taiwan / super8 + normal8 + 16mm

Landscape Becoming Landscape by Pamela Breda / 02:49 / 2019 / United Kingdom / 16mm

Petting Zoo by Daniel Robin / 11' / usa / 201? / found footage

The Pit by Jona Gerlach / 10' 51'' / 2019 / USA / 16mm + found footage

At your heels by Azucena Losana / 2'36'' / 2017 / argentina / 16mm

Malvaceae by Juana Robles / 10:40 / 2018 / Switzerland / super8

Petals and Feathers by Adriana Gomez / 03:59 / 2019 / Argentina / super8

Immersio by Sophie Bouloux / 4' 45'' / France / 2018 / super8

Beautiful young ladies by Roger Batteault / 8'28'' / 2019 / France / super8

Reencuentro by Andrea Montanari / 3' 28'' / 2016 / Italy / 35mm / footage

En Mi Pueblo by Paolo Zuñiga / 4' 52'' / 2018 / Mexico / 16mm

The immortality of the crab by Giacomo Manzotti / 2' 20'' / 2019 / Italy / super8

Temple of Truth by Giuseppe Boccassini / 15' 24''/ Usa / 2018 / 16mm footage

Lick Every Drop by Moira Lacowicz, Leonardo Zito / 6' 7'' / 2019 / Argentina / normal8

The Philosophy of Horror (Part I): Etimology by Péter Lichter, Bori Máté / 8:00 / 2019 / Hungary / 3



SPECIAL PROGRAM

BEYOND THE BOLEX
by Alyssa Bolsey
Canada, Switzerland, UK, USA / 2018 / 95' / english


36EXP // A CALL FOR UNPROCESSED ROLL FILM

TOMMASO PASSANTE (Italy)
MANUELA NADDEO / (Italy)


LIVE PERFORMANCE

MILKY MEDIUM / kinoMANUAL
Aga Jarząb, Maciek Bączyk

Easter & Ratkinson


WORKSHOP

WORKSHOP - THE EXPERIMENTER'S TOOL - BOLEX H16

LaborBerlin / Natalia Fentisova + Maja Milic


ANALOGICA 9
ideato e curato da Vincenzo Mancuso

Grafica manifesto
SF94

Allestimento
Heinrich Wegmann

Supporto tecnico e organizzazione
Maja Pilati; David Uzzi - RU17; Katharina Kolakowski - Foto-Forum BZ; Daniel Mahlknecht, Stefano Bernardi

Giuria 36EXP 
Andy Rourke, Arianna Carossa, Francesca Mor, Richard Thuoy, Martino Chiti, Martin Prast, Heinrich Wegman

Stampe Analogica Selection Photo 2015
Heinrich Wegmann

Ufficio stampa 
Valentina Cramerotti

Traduzioni 
Eva Lageder

Con il sostegno di
Autome Provinz Bozen Südtirol / Provincia Autonoma di Bolzano Alto Adige Amt für Film und Medien / Ufficio Film e media
Città di Bolzano / Stadt Bozen
Stiftung Südtiroler Sparkasse / Fondazione Cassa di Risparmio
Ars-Imago
Foto Forum Bolzano
RU17
FAS - Film Association Südtirol

Una produzione

Analogica


immagine: It Matters What by Francisca Duran