ANALOGICA SELECTION 10 /// PR5
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> program 5
> 52' /// > Live streaming Friday 18 Dec / h. 20.00 - 8 PM CET Join us after the program for a Q&A session with the filmmakers + Saturday 19 Dec / h.21.00 - 9 PM CET |
CAN'T ANSWER YOU ANYMORE (ON FACES)
by Matt Whitman 2' 20'' / super8 / 2019 / USA / Exp This film is from a body of work that gives a textual and archival response to and documentation of perpetual discrepancies - between living and deceased, public and private, physical and virtual - found in moments of contemporary mourning. |
Matt Whitman works with moving image, photography, installation, writing and performance.
He has taught at Parsons School of Design since 2014 and lives in Brooklyn, New York. |
20th Century Wallpaper by Wheeler Winston Dixon
17' 36'' / found footage / 2019 / USA / doc A panoramic view of the world in the 20th Century. "Mankind has probably done more damage to the Earth in the 20th century than in all of previous human history." - Jacques Yves Cousteau “I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century." - Walter Murch |
Wheeler Winston Dixon is an American filmmaker. Dixon's films have been screened at The Museum of Modern Art, The Whitney Museum of American Art, Anthology Film Archives, Filmhuis Cavia (Amsterdam), Studio 44 (Stockholm), La lumière collective (Montréal), The BWA Katowice Museum (Poland), The Microscope Gallery, The National Film Theatre (UK), The Jewish Museum, The Millennium Film Workshop, The San Francisco Cinématheque, LA Filmforum (Los Angeles), The New Arts Lab, The Collective for Living Cinema, The Kitchen, The Filmmakers Cinématheque, Film Forum, The Amos Eno Gallery, Sla 307 Art Space, The Gallery of Modern Art, The Rice Museum, The Oberhausen Film Festival, Undercurrent, Experimental Response Cinema and elsewhere.
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Letter from Korlai by Aman Wadhan
22' 22'' / 16mm / 2015 / India / doc In the time of yellow grass, with steps receding and prayers unanswered, a desire for oblivion forks the search for images of exile and belongingness. The setting is a quaint village on the Indian Konkan coast. The filmmaker had visited this place once, as did his friend, of whom nothing is ever said. |
Aman Wadhan studied direction at the Film and Television Institute of India, Pune. His practice is research-based, process-oriented and responds to living with awareness in light of transience. He is presently an Erasmus scholar, extending his learning with DocNomads at SzFE, Budapest.
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Culture Leap by Roger Horn
2' 35'' / super8+16mm / 2020 / South Africa - Germany / exp The primacy of culture. Culture over race. "culture leap (non-linear)" is composed of found home movies from South Africa and discarded 16mm film from the anthropology department at the University of Cape Town, salvaged by filmmaker Roger Horn while completing his PhD in Anthropology. |
Roger Horn is an unconventional filmmaker and professor of Visual & Media Anthropology in Berlin.
His films have screened widely at festival such as Oberhausen, Clermont-Ferrand, and the 21st, 22nd, & 24th Ji.hlava Int’l Documentary Film Festivals. |
Cicatrix dreaming
by Justin Rhody, David Graves, Jay Kreimer 4' 30'' / 35mm / 2015 / USA / exp A collaborative film composed from a series of degraded 35mm photo slides discovered at an outdoor flea market in Oakland California. |
Justin Clifford Rhody, David Graves and Jay Kreimer are multi-media artists living in the United States.
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Errances by Sophie Bouloux
2' 05'' / super8 / 2020 / France / exp She is hot, she is cold, she has felt her neck getting heavier, her cheeks harden, she complained, then she began to see the carpet swarming with snakes, the walls deforming, the faces shrink around her. |
Sophie BOULOUX alias Sophie.B, filmmaker.
His photographic and cinematographic work is autonomous and without rule and weaves a link between experimentation and poetry creating a real dialectic of intimate and unusual worlds. |