ANALOGICA SELECTION 9 ///
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> program 1
> 42' /// |
Jonas's loft
by Joel Schlemowitz 6' 24'' / USA / 2019 / 16mm / exp-doc Jonas Mekas's loft, one week after his passing. In memoriam. |
Joel Schlemowitz is an experimental filmmaker based in Brooklyn who works with 16mm film, shadowplay, magic lanterns, and stereographic media. He is the author of Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers (Focal Press/Routledge). His first feature film, 78rpm, is an experimental documentary about the gramophone. His short works have been shown at the Ann Arbor Film Festival, New York Film Festival, and Tribeca Film Festival and have received awards from the Chicago Underground Film Festival, The Dallas Video Festival, and elsewhere. Shows of installation artworks include Anthology Film Archives, Images Film Festival, and Microscope Gallery. He teaches experimental filmmaking at The New School, and was Resident Film Programmer and Arcane Media Specialist at the Morbid Anatomy Museum.
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Scenes from the Periphery
by Derek Taylor 2' 50'' / 2019 / USA / super8 / exp An aerial survey of the filmmaker’s place of origin. Edited in camera on Super 8, the film is a frame intensive study of home, place and direction. |
Derek Taylor's moving image work focuses on the intersection of documentary and experimental filmmaking, particularly as it relates to history and landscape. His work has been screened at a number of festivals both nationally and internationally.
He studied film, video and new media at the School of the Art Institute of Chicago and currently lives and works in Connecticut (USA). |
Unless You're Living It
by Sarah Bliss 8' 22'' / Canada – USA / 16mm / doc An edgy, unsettling portrait of place and power in rural white Ontario that challenges the correlation between seeing and knowing, and the ravages of late-stage capitalism. Hand processing, contact printing, tinting and toning engage the film as a body that, like the residents of Mt. Forest, sustains injuries, wounds and burdens, but also has the capacity for delight, revelatory pleasure, and transformation. |
Sarah Bliss is a white, owning-class filmmaker and artist of Northern European descent. She engages personal and social history to facilitate deep encounter with the sensate, desiring body. She received a Masters in Theological Studies from Harvard Divinity School, teaches cameraless filmmaking, and is a member of Boston’s AgX Film Collective.
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Sometimes All of Summertime
by Linda Fenstermaker 8' 34'' / USA / 2019 / 16mm / exp This film explores the innocence, beauty and energy in the natural rhythms of a season. The focus on summertime is a metaphor for the process of combining lives with another person and the tugging feelings of that union. |
Linda Fenstermaker is an experimental filmmaker and graduate of Hampshire College. She works primarily on 16mm film. Her work explores interactions and relationships between body and landscape with a focus on representing organic food systems and empowered women
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Scenes from a Transient Home
Roger Horn 13' 09'' / 2019 / South Africa / super8 / doc Filmed on Super 8mm, "Scenes from a Transient Home" presents a fractured portrait of life for Zimbabwean migrants when they travel back home to visit. Christmas dancing, New Years Eve celebrations, house floods, and illegal gold panning are just a few of the events filmed by Roger Horn who bookends the film with a major life event for his family. |
Roger Horn is a lecturer and filmmaker who recently completed his PhD titled, "Memories, material culture, and methodology: Employing multiple filmic formats, forms, and informal archives in anthropological research among Zimbabwean migrant women".
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Algo está pasando acá
by Antón Terni 2' 49'' / Uruguay / 2019 / 16mm / exp Shadows and sounds of bodies intersect to get away from the present. |
Antón Terni Montevideo,1979. Graduated from the Uruguay Film School. He has made two feature films: Ánima (2011) Mirador (2019) and several short films.
He teaches filmaking in film in various educational centers. |