ANALOGICA SELECTION 9 /// Program #3 > 37'
QR CODE / FILM [#2] by Antoni Pinent
3' 30'' / 2018 / Italy / 16mm / exp-animation / silent Base / Source: Plate 40, 1879. Eadweard Muybridge It has always been understood that the secret of movement lies in the decomposition of time. Aristotle was convinced that the horse in his gallop never rises completely from the ground. Only in the 1870s, Eadweard Muybridge, using a series of photographic devices operated by cables, observed the famous horse Phryne L. to reach, through the dissection of time, to understand its mystery: in an instant it is suspended in the air. QR CODE / FILM [#2] focuses on slicing time to penetrate its nature. As did the physics of the s. XX., The film-essay proposes an anatomical study of time: the montage, as in an autopsy, de-constructs the movement making emerge what we do not see and that only the magic of the whole of the work can show us -both static exposed inside of a Light Box / Plexiglass, as in motion induced by film projection-. |
Antoni Pinent (Lleida, Spain, Nov. 1975), currently lives and works between Venice (Italy) and Los Angeles (USA). Independent curator of contemporary art, teacher, film curator / programmer, and experimental filmmaker, whose work has been screened in different cinematheques, cultural centers and museums, such as the MoMA in San Francisco (2012).
His film work is in distribution at: Light Cone (Paris, France); CFMDC. Canadian Filmmakers Distribution Centre (Toronto, Canada); Canyon Cinema (San Francisco, CA. USA); HAMACA (Barcelona, Spain). |
|
Scenes from the Periphery by Derek Taylor
2' 50'' / 2019 / USA / super8 / exp An aerial survey of the filmmaker’s place of origin. Edited in camera on Super 8, the film is a frame intensive study of home, place and direction. |
Derek Taylor's moving image work focuses on the intersection of documentary and experimental filmmaking, particularly as it relates to history and landscape. His work has been screened at a number of festivals both nationally and internationally.
He studied film, video and new media at the School of the Art Institute of Chicago and currently lives and works in Connecticut (USA). |
Inverno 1219 by Manuele Cecconello
7' 20'' / Italy / 2019 / super8 / exp – doc The performance of the artist Fiorenzo Rosso. He reconstructs in miniature the construction site of the Basilica of Sant'Andrea in Vercelli (1219). |
Manuele Cecconello (b. 1969) is a visual artist.
He makes esperimental film since 1989. |
Gibraltar Point (transformed) by Penny McCann
6' 07'' / 2017/ Canada / 16mm / exp Erratic flashes of light spark across a flickering expanse of water and sky. The image can't be contained as light and debris spill outside the frame. The random alchemy of handprocessing techniques creates a landscape that transcends the observable, edging into the sublime. |
Canadian media artist Penny McCann's body of work spans more than twenty-five years and encompasses both dramatic and experimental films and videos. Her work has been exhibited extensively at festivals and galleries nationally and internationally.
|
Butterfly disaster by Caryn Cline
6'50'' / 2019 / USA / 16mm / exp Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. |
Caryn Cline is a Seattle-based filmmaker. Her short films have been screened at numerous festivals and venues. She teaches handmade “botanicollage” film workshops and is the co-founder and -curator of the Engauge Experimental Film Festival.
|
Frazada by Eduardo Filippi
4':53'' / España / 2018 / 16mm / exp Color / Sonido Oscar Taylor Nature and culture. Jesuits and shamans. Exploitation and slavery. Conquerors and colonized. Captains and beheaded. America. Spain. The strategic war games fought by pathogens. The infected frazadas (blankets) which Spaniards distributed to indigenous communities knowing that they would be their end. |
Eduardo Filippi is an architect, performer and filmmaker, dedicated to combining his creative work with the different fields of architecture, art, design and cinema. Currently, in Barcelona he works as project coordinator of the Crater-lab laboratory, as well as multidisciplinary architect and artist.
|
Immersio by Sophie Bouloux
4' 45'' / France / 2018 / super8 / experimental "Caelum mergens sidera" Sound and visual experience around duality. "Immersio" evokes the light / dark, the conscious and the unconscious, the confusion of meaning in a chaotic world and the finitude of being. |
Sophie BOULOUX alias Sophie.B, filmmaker.
Her photographic and cinematographic work is autonomous and without rule and weaves a link between experimentation and poetry creating a real dialectic of intimate and unusual worlds. |