ANALOGICA SELECTION 8 /// Program #2     > 41'
Please step out of the frame by Karissa Hahn
4'10'' / super8 / experimental / 2018 / USA

From your desk(top) mistrust the manufactured image distrust the assembled picture give no credence to the massed account discredit the aggregate narrative defame the corporate chronicle denigrate the collective annals doubt the constructed copy- consider the clone. accept the dismantled vision exalt the forged now brain subscribe to the ditto fuel the doodad delusion nourish the gizmo nightmare incite the idiot box prophecy inflame the dingbat phantasm a film burn becoming pixels as band-aid a manufactured reinforcement in the empire of computer and you feeding machine-vision the partition of screen
Karissa Hahn is a visual artist based in Los Angeles who works between film and video to accumulate a storm of ‘spectra ephemera.’ Hahn has shown around the planet Earth in various cinemas, galleries, and institutions such as the New York Film Festival, Wavelengths, Crossroads, Ann Arbor Film Festival, and the Anthology Film Archives.


From zoom #1 by Tiziano Doria
02' 37'' / 16mm / experimental / 2018 / Italy

A life under fire. A view through military crosshairs Facts that happened come back regardless of the historical moment. victims hold the same postures. dust of dry heat covers lifeless bodies. music: Lavorazioni Carni Rosse
Tiziano Doria has investigated for long the nature of media and the possibilities of photographic and cinematographic material through the re-mediation of devices and images. He lives and works in Milan.
-+=Oo. By Lívia Sá
04' 33'' / 16mm / experimental / 2014 / USA

Minus plus equals the integration of different shapes, which transform themselves while becoming one and many. This is a hand made 16mm dual projection that explores the negative and positive spaces as well as the reuse of residual film material, which eventually turn into underwater particles.
Lívia Sá is a multimedia artist, originally from São Paulo, Brazil. She is currently based in Brooklyn and just finished her masters degree in Media Studies at The New School. Lívia's personal work range from human rights issues to experimental narratives by using both documentary and experimental filmmaking. Often times, her work goes beyond conventional approaches to cinema as she is interested in altering the viewer's perception while stimulating different senses in her storytelling.
Where We Stand by Lindsay McIntyre
05' 12'' / 16mm / experimental / 2015 / USA

Where We Stand is a haunting portrait of theaters shot on handmade 16mm emulsion. With a strong commitment to retaining the language of film, Where We Stand takes a good hard look at the fragile future of films made on film in this digital age.
Lindsay McIntyre (MFA/Inuk/Settler) is a Canadian film artist with a process-based analog practice which deals with themes of portraiture, place, form and personal histories.She is interested in the apparatus of cinema, representation, and bridging gaps in collective experience. She applies her interest in film chemistry, emulsion and analogue technologies to make award-winning short 16mm films and expanded cinema performances.
Nuova Zita by Antonio Di Biase
11' 05'' / 16mm / experimental / documentary / 2018 / Italy

During one full day in the middle of the sea off Pescara, the eye of the Bolex 16mm sways on the fishing boat Nuova Zita, immortalizing fragments of an ancestral universe, out of time.
Antonio Di Biase (Pescara, 1994). In 2016 he graduated at the Brera Academy of Fine Arts in Milan. Since 2011 Antonio has made more than ten films ranging from videoart to documentary and fiction, with attention placed on the popular peasant universe. At the moment he’s attending the third year at the ZeLIG documentary film school in Bolzano.
Anche in paradiso non è bello essere soli
(Even in paradise it is not good to be alone)
by Lorenzo Gattorna / 8' 6'' / normal8 / experimental / documentary / 2017 / USA - Italy

In memory of Nonno Pierino
Lorenzo Gattorna is a filmmaker, instructor and programmer from New York. His films have screened with ARKIPEL, CUFF, FRACTO, Image Forum, LOOP, Microscope Gallery and NYFF.
He has programmed screenings for Anthology Film Archives, Antimatter, Maysles Cinema, Sight Unseen, The Nightingale and UnionDocs.
Nutrition Fugue by Péter Lichter
04'  / 35mm found footage / experimental / documentary / 2018 / Hungary

"Közért" (translation: "for the public") was a government owned chain of stores in Hungary, during the communist era (1948-1989). The word Közért is still used in the Hungarian language. Our film was made from the 35 mm celluloid raw footage of its advertisement: the film strips were digged in the soil, rotten with food and cut up in pieces.
Péter Lichter is an experimental filmmaker. He publicated two poetry books at the age of 16 and 20. He studied film history and film theory at the ELTE University, Budapest. He writes his PhD-thesis about the relationship of american avante-garde cinema and the science-fiction movies. Peter makes short, found-footage, abstract experimentals and lyrical documentaries since 2002. His films were screened at festivals and venues like: Tribeca Film Festival - New York; Rotterdam IFF; Oberhausen Film Festival; Cinema 16 - New York; EXiS - Seoul; VideoEX - Zurich; MisALT – San Francisco; MIA - Los Angeles; Angers Premier Plans; Klex – Kuala Lumpur; Director Lounge – Berlin; Hungarian Film Week, etc. He is also one of the editors of the Prizma film-periodical. Peter frequently collaborates with composer Ádám Márton Horváth.