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ANALOGICA SELECTION 13 // streaming program // 5

Bye Bye Now by Louise Bourque 
16mm / 2022 / Canada / 8’ 27’’


Waving hello to the filming cameraperson, the subjects, through this very gesture, are also, in some way, providing a future viewer with the acknowledgment of a constant good-bye to a fleeting moment. This film is an homage to the man behind the camera in these personal family archives, the artist’s father, who left her this heritage beyond mortality in the traces of past lives.
Louise Bourque’s films have been screened in more than forty-five countries. Her work has been presented by major galleries and museums worldwide, including the Musée national des beaux-arts du Québec in Québec city, the Museum of Modern Art and the Whitney Museum of American Art in NYC.

The Great Kind Mystery by Ella Morton 
super8, 16mm / 2023 / Canada / 16’ 10’’


Inuk and Mi’kmaw artist Amy Hull tells stories about growing up in Newfoundland. Her words are illustrated by altered Super 8 and 16mm footage of Newfoundland landscapes, where the distortion of the celluloid reflects the wonder and nostalgia of her relationship with the land.
Ella Morton (she/her) is a Canadian visual artist and filmmaker living in Tkarón:to/Toronto.
Working primarily with lens-based media, she uses experimental analogue processes to capture the sublime and fragile qualities of remote landscapes
Skyscraper film by Federica Foglia
16mm / 2023 / Canada, Italy / 7’ 23’’


Can I use the film strip structure as an architectural element? Is it possible to use the celluloid from the film as a cement? Can these skyscrapers be turned into something else? Can solid lines blend into sensual, natural curves? Can I melt skyscrapers?

Skyscraper Film was created to try to give a visual answer to these questions, arising from the artist's relation to urban maps of various cities and their respective skylines which are populated by imposing skyscrapers and reinforced-concrete panoramas: Quebec, Kingston (Canada), Maryland, Pittsburgh, Baltimore (USA) etc.
Cities are presented to us as an abstract, handmade, camera-less collage, created from scraps of orphan 16mm films from the 1980s. Originally produced to promote tourism in North America, these films are reassigned to a new context through the Emulsion Lifting/Emulsion Grafting technique that the director has been pursuing for years. In addition to tourism films and informational films, Skyscraper Film also uses rare family films and home-movies dating back to 1929 in 16mm format.
Federica Foglia is a transnational visual artist working between Italy and Canada. After graduating in History of Art, Theatre and Cinema at University of Naples L'Orientale, she moved to Toronto to continue her studies and obtained a Master of Fine Arts at York University, where she is currently completing a PhD in Cinema & Media.

PR 4 // 17 DEC

Reconstruction

by Igor Polikarpov / 16mm / 2023 / Russian Federation / 10’ 45’’

They rise, these sponge fortresses
by Guillaume Vallée / 35mm / 2022 / Canada / 7’ 13

Showtime!
By Michael Fleming / 35mm / 2022 / Holland / 14’





PR 5 // 35min. // 18 DEC

Bye Bye Now

by Louise Bourque / 16mm / 2022 / Canada / 8’ 27’’

The Great Kind Mystery
by Ella Morton / super8, 16mm / 2023 / Canada / 16’ 10’’

Skyscraper film
by Federica Foglia / 16mm / 2023 / Canada, Italy / 7’ 23’’

PR 6 // 19 DEC

Man Made

by Elian Mikkola / 16mm / 2022 / Canada / 8’ 8’’

Like a Lighthouse
by Richard Peter Tuohy / 16mm / 2023 / Australia / 12’

Seen//Unseen
by T.J. Blanco / 16mm / 2023 / Usa / 7’ 23’’

Paris Tour
by Sophie Bouloux / 16mm / 2023 / France / 3’ 52’’

Fair winds and following seas
by Alina Tretinjak / super8 / 2022 / Austria / 2’ 50’’

Soleil puissant soleil
by Andrea Saggiomo / super8 / 2021 / Italy / 1’ 41’’


ANALOGICA 13
ideazione, programmazione Vincenzo Mancuso /  Analogica Selection 13 Maja Pilati, Luciano Stoffella, Derise Herst, Vincenzo Mancuso / produzione e traduzioni Eva Lageder / moderatrice Martine De Biasi /
ufficio stampa Valentina Cramerotti / graphic design Laura Barretta / supporto tecnico e allestimento Martin Prast, Daniel Mahlknecht
/ una produzione Analogica
ANALOGICA 13 è realizzato in collaborazione con Waag / Weigh Station / Fas - Film Association of South Tyrol / FotoForum
e sostenuto da Provincia Autonoma di Bolzano - Cultura Tedesca - Ufficio Film e Media / Comune di Bolzano / Fondazione Cassa di Risparmio



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