ANALOGICA SELECTION /// NYC

Johnson Ave at Porter Ave, Brooklyn 11227

MAY 7 // 9PM

By "L" line Subway:
Two blocks from Morgan Avenue station
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ANALOGICA SELECTION 2014 ///
Programm // 52'

Flabzilla 
by Kayleigh O'Keefe / Bill Rodgers /// 3' 20'' / super8 / 2014 / UK
No Signal Detected 
by Péter Lichter /// 3' / footage / 2013 / Hungary
The Bags, Probably 1971* 
by Joshua Yates /// 5'10'' / Super8 / 2013 / USA
Vale Barcelona! 
by Paulo Pécora /// 3' / super8 / 2013 / Argentina
Älä itke minua, äitini (Weep not for me, O mother) 
by Joel Autio /// 6' 33'' / 16mm / Finnish with sub eng / Finland
Places with Meaning 
by Scott Fitzpatrick /// 3' / 16mm / 2012 / Canada
Untitled / Hommage à Michel Brault 
by Andrée-Anne Roussel Guillaume Vallée /// 3' 30'' / super8 / 2014 / Canada
The Voice of God 
by Bernd Lützeler /// 9 min 35 sec / super8 + 16mm / 2011 / India & Germany
Renai no Daikyouen (Banquet of Love) 
by Haruka Mitani and Michael Lyons /// 6' 14'' / super8 / 2014 / Japan
Full of Fire 
by Rhayne Vermette /// 2' 14'' / super8 / 2013 / Canada
Assumptions of Your Phantom(sy) 
by Karissa Hahn /// 2' / super8 / 2012 / USA
Black Rectangle 
by Rhayne Vermette /// 1' 30'' / 16mm animation / 2013 / Canada

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Projectors Installation
Searching for Fireflies
By Philippe Leonard & Jasmine Pisapia
2 x 16mm / 2014

In 1975, only a few months before his death, Pier Paolo Pasolini wrote a now famous article in which he stages the allegorical disappearance of fireflies in the Italian countryside, due to the effects industrial pollution. Echoing both his sense of loss and his deep commitment to the cinematic image, this diptych offers a snapshot of the postindustrial reality of Southern Italian landscapes in the present. It evokes, side by side, the aged bark of an olive tree and the antiquated structure of a steel plant, through the flickering and incandescent medium of 16mm film

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